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When The Work Is
Thru'
Just One More Chance
Help Me Please
Great Train Robbery
Sweet Freedom

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The Just
One More Chance single was reissued in 2005 as
part of a box set of classic Decca singles by the UK
company Acme. The box set describes the single as a
"dance floor filler; bucking the trend, both sides
of this seven-inch are monsters blue-eyed soul
on the "A" and psych-edged Brit beater on
the "B".
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The songs are also available on a variety of compilation
CD albums, including The
Immediate Story (Just One More Chance/Help Me
Please) and Instant
Karma (Great Train Robbery/Sweet Freedom).
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Reviews
Great Train Robbery:
Not our Great Train Robbery, but one that took place in 1899
which makes a romantic tale given full orchestral accompaniment
and a catchy hook phrase: "Do you remember the Great
train Robbery?" Trouble is, having aroused memories of
the incident, the singers, who sound as though they were trying
to forget the Great Train Robbery, then fail to add any further
statements. I expected them to say "Well, we done it,
so there."
- New Musical Express
Just One More Chance:
Shimmering organ-flecked sound blends with pounding beat and
appealing vocal. Good tune too. Maintains the high Deram standard.
- Melody Maker

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When
The Work Is Thru'
(G Claff)
Outer Limits was the group Jeff Christie
was in before he formed Christie. The first single they released
was a "Charity RAG" record, which they shared with
another group called The 5-Man Cargo. Charity weeks are held
in many countries around the world, during which university
students take part in various events to raise money for charity.
For the local Leeds charity week - termed RAG for "Raise
and Give" - Jeff and his fellow students recorded a soulful,
lively tune (written by Godfrey Claff) which incorporates
tight harmonies and a brassy horn backing. But even though
it was someone else's song, Jeff was as meticulous as ever,
arranging the song to sound as he wanted.
Just
One More Chance
(J Christie)
This song was the first serious composition
of Jeff's to be released, after the band secured a deal with
Deram Records. A slow-paced love song with a hook that grows
on the listener, it has been labelled by archivists as a "blue-eyed
soul gem". It nudged the UK Top 50 when released in 1967
and became a club classic in the late 70s on the northern
soul scene.
It reached the top of the charts in Berlin, of
all places, and was covered by several artists indeed,
it was the first song of Jeff's to be covered by another performer
(I Dalton). Although
it didn't chart in the US, it was given glowing reviews.
Interestingly, an
instrumental version by The Patrick Bradley was also successful
and today is a highly sought-after record.

Help Me
Please
(J Christie)
The flipside is a heavy, bluesy number that
would not be out of place if played by today's grunge bands.
According to Jeff, this was his take at imitating Spencer
Davis, complete with gruff voice. Some reviewers have described
the piece as reminiscent of the "garage
sound" of the psychedelic era.
Great
Train Robbery
(J Christie)
By the next single, Jeff was clearly moving
towards the tuneful creations that would characterise his
Christie repertoire. This song is a commercial offering that
would have not been out of place in the Christie stable, given
a Vic Elmes twang and a more solid backbeat.
Clearly signalling the development of Jeff's
melodic songwriting skills, the song is, as the title suggests,
all about a train robbery. All stops were pulled out for this
one the arrangement, by former Shadow Tony Meehan,
incorporates lavish orchestral backgrounds and lovely harmonies,
and is not unlike some Bee Gees offerings of the time. The
record itself was produced by Andrew Loog Oldham, renowned
for hids work with the Rolling Stones and the Beatles, among
others.
There are two versions of this song: the demo
version has a longer musical introduction and additional sound
effects (guns firing) at the end of the song. See here
for more information.
Sweet
Freedom
(J Christie)
The flipside is not as melodious as the A-side,
but again does show the growing talents of Jeff as a songwriter.
The harmonies and arrangement are reminiscent of some Beatles
songs, and Jeff's voice is Lennon-esque in parts. It was a
popular part of the Outer Limits' live sets.
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